Thursday, November 10, 2011

So La Vita Baby-girls Newborn Plaid Hem Corduroy Jumper, Red, 3-6 Months

Gonzo: The Life and Work of Dr. Hunter S. Thompson

  • Directed by Oscar winner Alex Gibney (Taxi to the Dark Side and Enron: The Smartest Guys in the Room) and narrated by Johnny Depp, this Collector s Edition takes a probing look into the uncanny life of Dr. Hunter S. Thompson inventor of gonzo journalism and author of the landmark Fear and Loathing in Las Vegas. Format: DVD MOVIE Genre: DOCUMENTARIES Rating: R Age: 876964001
Oscar® winning director Alex Gibney presents a probing look into the uncanny life of Dr. Hunter S. Thompson inventor of gonzo journalism and author of the landmark Fear and Loathing in Las Vegas. Accompanied by an iconic soundtrack, this fast moving, wildly entertaining film addresses the major touchstones in Thompson s life from his intense and ill fated relationship with the Hell s Angels to his deep involvement in Senator George McGovern s 1972 presidential election.After Enron: The Smartest Guys in the Room ! and Taxi to the Dark Side, Hunter S. Thompson seems like an odd subject for Alex Gibney to take on. Unlike the Enron executives or Baghram guards, the gonzo journalist didn't bilk old ladies out of their savings or torture Iraqi citizens. Nonetheless, the director's follow-up to the Oscar-winning Taxi shares an interest in the uses and abuses of power. Gibney recounts the major biographical details, from birth to suicide, but his film really comes alive when he gets to the late-1960s. Though Thompson remains best known for Fear and Loathing in Las Vegas, Gonzo concentrates on his coverage of the 1968 and '72 presidential elections. The author was particularly excited about George McGovern, and chose advocacy over non-partisan reporting. McGovern, Pat Buchanan, Ralph Steadman, Rolling Stone editor Jann Wenner, and others testify to Thompson's enthusiasm for the South Dakota senator--and hatred for Nixon. Gibney argues that the fire started ! to die after Hunter witnessed the brutal treatment of proteste! rs at Ch icago’s Democratic Convention. Disillusionment led to an erosion of his talent and an escalation of his self-destructive tendencies. As Johnny Depp, who played him in Fear and Loathing, reads passages from his work, the doctor's friends and family provide a glimpse of the insecure man behind the brash image. Gibney's evenhanded depiction may disappoint true believers hoping for a glorified puff piece, but Thompson's ability to speak truth to power with wit and passion comes through loud and clear. --Kathleen C. Fennessy

The Women

  • TESTED
Three sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 23-MAR-2004
Media Type: DVDYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and ! you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ! ShannonYou've got to admire a movie that embraces womanhoo! d as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Wa! lter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ShannonYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who ! lack a coherent plan for illuminating their trio of female sib! lings. D espite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.

In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title)! , becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ShannonBEAUTIFUL, SMART, ACCOMPLISHED MARY HAINES DISCOVERS THAT HER HUSBAND IS CHEATING ON HER. IT'S A TIME WHEN FRIENDS ARE NEEDED, SO MARY'S GAL PALS & MOTHER RALLY 'ROUND WITH ADVICE, COCKTAILS & SHOPPING.

Eden Lake

  • EDEN LAKE (DVD MOVIE)
Like a bad dream turned worst nightmare, Eden Lake is a "relentlessly tense and immaculately paced" (Twitch Film) horror-thriller about modern youth gone wild. When a young couple goes to a remote wooded lake for a romantic getaway, their quiet weekend is shattered by an aggressive group of local kids. Rowdiness quickly turns to rage as the teens terrorize the couple in unimaginable ways, and a weekend outing becomes a bloody battle for survival. Eden Lake is "fierce, thought-provoking ... and genuinely shocking" (Time Out London).British director James Watkins’s directorial debut is an overtly moralistic thriller centering around a couple who are trapped and taunted lakeside by a gang of teenage bullies, led by a boy named Brett (Jack O’Connell). Warning signs to stay out of this camping area abound, in the spirit of myriad camping-trip-gone-awry tales, like the cla! ssic Friday the 13th. The challenge, here, is to subvert those warning signs in order to harness some minor sympathy for the alleged victims to be. However, Steve (Michael Fassbender) and Jenny (Kelly Reilly) are too wrapped up in puppy love to turn around, even when their GPS signal advises them to do so. As a gang of wayward kids pick fights with Steve and Kelly, the couple attempts escape... at first. But Steve’s desire for revenge impels him to search for the delinquents’ parents, which becomes the couple’s downfall. A good portion of Eden Lake is devoted to the chase, during which Steve and Kelly look increasingly swampy under caked on layers of blood and mud. These scenes are well done, fast-paced, and here, enacting fear, Kelly Reilly is at her best. But as the film progresses, one sees so many connections between the teens’ violence and the abhorrent behavior of their parents, that Eden Lake leaves no character interpretation up to the v! iewer. Yes, bad parents usually make bad teens. But a deeper i! nvestiga tion into Brett’s inner mind, or his ability to follow through with torture and the sadistic control he exhibits over his gang, would result in less obvious, and possibly more interesting explanations for criminal action. Though many Dimension Extreme films are cutting edge in the horror genre (see Inside), Eden Lake is not one of them. --Trinie Dalton

Capturing the Friedmans

  • Winner of the Grand Jury Prize at the 2003 Sundance Film Festival, and with over $3 million at the box office to date, Capturing The Friedmans is nothing short of the most riveting, provocative, and hotly debated films of the year. Despite their predilection for hamming it up in front of home-movie cameras, the Friedmans were a normal middle-class family living in the affluent New York suburb of G
Winner of the Grand Jury Prize at the 2003 Sundance Film Festival, and with over $3 million at the box office to date, Capturing The Friedmans is nothing short of the most riveting, provocative, and hotly debated films of the year. Despite their predilection for hamming it up in front of home-movie cameras, the Friedmans were a normal middle-class family living in the affluent New York suburb of Great Neck. One Thanksgiving, as the family gathers at home for a quiet holiday dinner, their front door ! explodes, splintered by a police battering ram. Officers rush into the house, accusing Arnold Friedman and his youngest son Jesse of hundreds of shocking crimes. The film follows their story from the public?s perspective and through unique real footage of the family in crisis, shot inside the Friedman house. As the police investigate, and the community reacts, the fabric of the family begins to disintegrate, revealing provocative questions about truth, justice, family, and -ultimately-truth. With an abundance of exclusive DVD bonus features supplied on a second disc, Capturing the Friedmans is sure to capture you and pin you to your seat.A Sundance Grand Jury prize winner and a true conversation starter, Capturing the Friedmans travels into one apparently ordinary Long Island family's heart of darkness. Arnold and Elaine Friedman had a normal life with their three sons until Arnold was arrested on multiple (and increasingly lurid) charges of child abuse. Becaus! e the Friedmans had documented their own lives with copious ho! me movie s, filmmaker Andrew Jarecki is able to sift through their material looking for clues. Yet what emerges is more surreal than fiction: the youngest Friedman son went to jail, the eldest became a birthday-party clown. In the end, we can't be sure whether Arnold Friedman is a monstrous child molester or the victim of railroading. The portrait of a disconnected family is deeply disturbing, either way, and this film is further proof that a documentary can be just as spellbinding as anything a great storyteller dreams up. --Robert Horton

Blood Work

  • BLOOD WORK (DVD MOVIE)
When Graciella Rivers steps onto his boat, ex-FBI agent Terrell McCaleb has no idea he's about to come out of retirement. He's recuperating from a heart transplant and avoiding anything stressful. But when Graciella tells him the way her sister Gloria was murdered it leaves Terry no choice. Now the man with the new heart vows to take down a predator without a soul. For Gloria's killer shatters every rule that McCaleb ever learned in his years with the Bureau--as McCaleb gets no more second chances at life... and just one shot at the truth. Blood Work is now a major motion picture from Warner Bros. directed by and starring Clint Eastwood. The movie also stars Anjelica Huston and Jeff Daniels. Blood Work hit bestseller lists nationwide, including those of the New York Times, USA Today, Washington Post, Wall Street Journal, Los Angeles Times, and Dallas Morning News. It ha! s over 900,000 paperback copies in print.Michael Connelly has been attracting fans by the droves with his hard-boiled, edgy thrillers. A former crime reporter for the Los Angeles Times, Connelly combines a poet's ear for language with a deep understanding of the criminal mind to create dark, dramatic stories that raise the thriller genre to a new level.

In Blood Work, Connelly introduces a new character, Terry McCaleb, who was a top man at the FBI until a heart ailment forced his early retirement. Now he lives a quiet life, nursing his new heart and restoring the boat on which he lives in Los Angeles Harbor. Although he isn't looking for any excitement, when Graciela Rivers asks him to investigate her sister Gloria's death, her story hooks him immediately: the new heart beating in McCaleb's chest is Gloria's.

As McCaleb investigates the evidence in the case, the suspected randomness of the crime gives way to an unsettling suspicion of a twi! sted intelligence behind the murder. Soon McCaleb finds himsel! f on th e trail of a killer more horrifying than anything he ever encountered before. "A fast-paced and fascinating ride through a dark and devious period in science, Blood Work is a witty, insightful, and skillfully written book that sheds light on the mysterious story of blood transfusion." --Wendy Moore, author of The Knife Man

On a cold day in 1667, a renegade physician named Jean Denis transfused calf's blood into one of Paris's most notorious madmen. In doing so, Denis angered not only the elite scientists who had hoped to perform the first animal-to-human transfusions themselves, but also a host of powerful conservatives who believed that the doctor was toying with forces of nature that he did not understand. Just days after the experiment, the madman was dead, and Denis was framed for murder.

A riveting account of the first blood transfusion experiments in 17th-century Paris and London, Blood Work gives us a vivid glimpse of a particularly fraught peri! od in history--a time of fire and plague, empire building and international distrust, when monsters were believed to inhabit the seas and the boundary between science and superstition was still in flux. Amid this atmosphere of uncertainty, transfusionists like Denis became embroiled in the hottest cultural debates and fiercest political rivalries of their day. As historian Holly Tucker reveals, transfusion's detractors would stop at nothing--not even murdering Denis's patient--to outlaw a practice that might jeopardize human souls, pave the way for monstrous hybrid creatures, or even provoke divine retribution.

Taking us from the highest ranks of society to the lowest, from dissection rooms in palaces to the filth-clogged streets of Paris, Blood Work sheds light on an era that wrestled with the same questions about morality and experimentation that haunt medical science to this day.When Ivy met Rachel, the result wasn’t exactly love at first sight. Sparks fl! ew as the living vampire and the stubborn witch learned what i! t meant to be partners. Now Kim Harrison, the acclaimed author of Pale Demon and Black Magic Sanction, turns back the clock to tell the taleâ€"in an original full-color graphic novel.

Hot-as-hell, tough-as-nails detective Ivy Tamwood has been demoted from homicide down to lowly street-crime detail. As if rousting trolls and policing pixies instead of catching killers wasn’t bad enough, she’s also been saddled with a newbie partner who’s an earth witch. It’s enough to make any living vampire bare her fangs. But when a coven of murderous witches begins preying on werewolves, Rachel Morgan quickly proves she’s a good witch who knows how to be a badass.

Together, Ivy and Rachel hit the mean streets to deal swift justice to the evil element among Cincinnati’s supernatural set. But there’s more to their partnership than they realizeâ€"and more blood and black magic in their future than they bargained for.New York Times bestselling author M! ichael Connelly presents his most ambitious, most gripping achievement to date--a novel of masterly suspense and righteous obsession that will never let you go.
When Graciella Rivers steps onto his boat, ex-FBI agent Terrell McCaleb has no idea he's about to come out of retirement. He's recuperating from a heart transplant and avoiding anything stressful. But when Graciella tells him the way her sister Gloria was murdered, it leaves Terry no choice. Now the man with the new heart vows to take down a predator without a soul. For Gloria's killer shatters every rule that McCaleb ever learned in his years with the Bureau--as McCaleb gets no more second chances at life...and just one shot at the truth.
Michael Connelly has been attracting fans by the droves with his hard-boiled, edgy thrillers. A former crime reporter for the Los Angeles Times, Connelly combines a poet's ear for language with a deep understanding of the criminal mind to create dark, dramati! c stories that raise the thriller genre to a new level.

In ! Bloo d Work, Connelly introduces a new character, Terry McCaleb, who was a top man at the FBI until a heart ailment forced his early retirement. Now he lives a quiet life, nursing his new heart and restoring the boat on which he lives in Los Angeles Harbor. Although he isn't looking for any excitement, when Graciela Rivers asks him to investigate her sister Gloria's death, her story hooks him immediately: the new heart beating in McCaleb's chest is Gloria's.

As McCaleb investigates the evidence in the case, the suspected randomness of the crime gives way to an unsettling suspicion of a twisted intelligence behind the murder. Soon McCaleb finds himself on the trail of a killer more horrifying than anything he ever encountered before. New York Times bestselling author Michael Connelly presents his most ambitious, most gripping achievement to date--a novel of masterly suspense and righteous obsession that will never let you go.
When Graciella Rivers step! s onto his boat, ex-FBI agent Terrell McCaleb has no idea he's about to come out of retirement. He's recuperating from a heart transplant and avoiding anything stressful. But when Graciella tells him the way her sister Gloria was murdered, it leaves Terry no choice. Now the man with the new heart vows to take down a predator without a soul. For Gloria's killer shatters every rule that McCaleb ever learned in his years with the Bureau--as McCaleb gets no more second chances at life...and just one shot at the truth.
FBI profiler Terry McCaleb almost always gets to the heart of a case. This time, that heart beats inside him. He’s a cardiac patient who received a murder victim’s heart. And the donor’s sister asks him to make good on his second chance by finding the killer. That’s just the first of many twists in a smart, gritty suspense thriller that’s “vintage Eastwood: swift, surprising and very, very exciting” (Jim Svejda, KNX/CBS Radio). Clint Eastwood! produces, directs and stars in this edgy, acclaimed mystery b! ased on Michael Connelly’s novel and scripted by Brian Helgeland (L.A. Confidential). With a superb cast brought to a hard boil playing characters to quicken your pulse and hold you spellbound, Blood Work works exceptionally well.Clint Eastwood's Blood Work is a refreshing reminder that Hollywood's young Turks can still learn a lesson from good old-fashioned craftsmanship. Settling into an easygoing groove that recalls his early work in Play Misty for Me, the 72-year-old producer-director-star acknowledges his age by playing a retired FBI profiler and recent heart-transplant recipient. He's recruited by his heart donor's grieving sister (Wanda De Jesus) to find her dead sibling's killer, and personal obligation compels his dutiful but health-risking investigation. From a sharp, sensible script by L.A. Confidential Oscar® winner Brian Helgeland (from Michael Connelly's novel), Blood Work consistently plays to Eastwood's no-nonsense approach, elevating ! the mystery while giving Jeff Daniels (as Eastwood's neighbor and amateur sidekick) a substantial role in the suspenseful proceedings. Some may chuckle at a brief Eastwood-De Jesus love scene, but there's ample proof here that Clint's still got all the right moves. --Jeff Shannon

Good Night, and Good Luck (Widescreen Edition)

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