Tuesday, November 29, 2011

The Baby-Sitters Club #1: Kristy's Great Idea

  • ISBN13: 9780545174756
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Sex, sex, and more sex!

Kelly Haven returns to gather together every single story in her Barely Legal Babysitters series…with a few surprises thrown in for good measure!

Tales of oral sex, anal sex, threesomes, naughty schoolgirls, Asian beauties, lesbian lust, and more, are included in this scorching hot collection that features tight, eighteen year old girls sucking, licking, and fucking their way into your hearts.

Featuring all-new multimedia material that takes you inside the story as only Kelly Haven and Sweet Nothings can do.

Also includes the bonus bestseller, His Daughter's Best Friend!

Erotic fiction so hot it'll melt your Kindle.
!
Includes excerpts from Her Best Friend's Dad by Rachel Boleyn, Diary of a Nympho: The Step Dad by Kelly Haven, and Hardcore Hotel: A Wrinkle Inside by Rachel Boleyn and Kelly Haven.
Sex, sex, and more sex!

Kelly Haven returns to gather together every single story in her Barely Legal Babysitters series…with a few surprises thrown in for good measure!

Tales of oral sex, anal sex, threesomes, naughty schoolgirls, Asian beauties, lesbian lust, and more, are included in this scorching hot collection that features tight, eighteen year old girls sucking, licking, and fucking their way into your hearts.

Featuring all-new multimedia material that takes you inside the story as only Kelly Haven and Sweet Nothings can do.

Also includes the bonus bestseller, His Daughter's Best Friend!

Erotic fiction so hot it'll melt your Kindle.

Includes excerpts from Her Best Friend's Dad by Rachel Boleyn, Diary of a Nympho: The Step Dad by Kell! y Haven, and Hardcore Hotel: A Wrinkle Inside by Rachel Boleyn! and Kel ly Haven.
Megan is tired of bad dates and boring young guys. She wants the experience only an older man can provide and she has her eyes set on serious and conservative Mr. Stevens. But when things start to heat up, they get hotter than she ever expected. Now he has her down on the couch, her legs spread wide and ready to do as she’s told just like a good girl should.

For Adults Only: This short story (over 3000 words) is full of hot, hardcore sex between a stepfather and his stepdaughter. All characters are represented as 18 or older.


This story is also included in OH, DADDY - THE 4 DADDY SEX STORY COLLECTION here on Amazon (Daddy Catches His Little Slut, The Babysitter is a Good Girl for Daddy, Pleasing the Partners at Daddy's Gangbang, Anything to Please Daddy).Megan is tired of bad dates and boring young guys. She wants the experience only an older man can provide and she has her eyes set on serious and conservative Mr. Stevens. But when! things start to heat up, they get hotter than she ever expected. Now he has her down on the couch, her legs spread wide and ready to do as she’s told just like a good girl should.

For Adults Only: This short story (over 3000 words) is full of hot, hardcore sex between a stepfather and his stepdaughter. All characters are represented as 18 or older.


This story is also included in OH, DADDY - THE 4 DADDY SEX STORY COLLECTION here on Amazon (Daddy Catches His Little Slut, The Babysitter is a Good Girl for Daddy, Pleasing the Partners at Daddy's Gangbang, Anything to Please Daddy).The first of the new Collector's Club Editions features a new logo, bright new cover, and fill-in pages to personalize as Kristy comes up with the idea for the Baby-sitter's Club with friends Claudia, Stacey, and Mary Anne. It all began with a great idea ... and the inspiring original story of the Baby-sitters Club is back! Kristy Thomas's brilliant business plan gets off! to a great start with the help of Claudia Kishi (vice-preside! nt), Mar y Anne Spier (secretary), and Stacey McGill (treasurer).


Amazon Exclusive Inteview with Author Ann M. Martin

Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?

Martin: I had a great time re-visiting the characters. It was fun to explore their lives in the prequel, “"The Summer Before," and to figure out what led the girls to form The Baby-sitters Club, something that would eventually change their lives. It was like a reunion with friends--friends who haven’t changed a bit.

Q: Kristy, Claudia, Mary Anne, and Stacey are very different characters, which is in part why the seri! es was and is still so popular. Every reader can relate to at least one of the characters. So, we have to ask you--which character are you most like?

Martin: I am most like Mary Anne who is the shy and quiet one. Like me, Mary Anne enjoys more solitary pursuits such as reading and needlework. My favorite character, however, is Kristy. I think she's my alter ego.

Q: Were you allowed to baby-sit when you were twelve? If so, were they any funny or awful stories you'd like to share?

Martin: Yes, I did a lot of baby-sitting when I was twelve. One of the worst and also funniest things that ever happened was when I was baby-sitting for our neighbors and the kids wanted to wash their parents' car. They started the job with much enthusiasm--using Brillo pads.

Q: More than 200 BSC books were published in the eighties and nineties. Are there any that you are particula! rly fond of and why?

Martin: My ! favorite Baby-sitters Club book is "Kristy's Great Idea," which is the first book and sets the series in motion. I also like the more serious books such as "Claudia and the Sad Good-bye," which deals with the death of Claudia’s grandmother. This book was written shortly after my own grandmother died. My other favorite BSC books include “Kristy and the Secret of Susan,” in which the members of the BSC baby-sit for a child with autism, and "Jessi's Secret Language" in which the girls learn American Sign Language in order to communicate with a sitting charge with profound hearing impairment.

Q: Why do you think that the series is so well-loved and has endured over so many years?

Martin: I think the characters in the BSC books are easily relatable. The books deal with timeless topics including friendship, family, and school. Also, the books tackle serious issues including racism, bullying, kids with disabilities (physical! and mental), and death of a loved one. These issues were relevant to kids in the 1980s and 1990s, and are still relevant to kids today. In addition to being relatable, these are characters readers can aspire to. The kids run a business--in this case, a baby-sitting business. They are entrepreneurial, independent, creative, and confident. And at the heart of the series is the friendship--the "glue" that binds these characters. Sure, they have fights, but they're loyal and they support one another. I think a lot of us--even adults--can relate to that.

Q: "The Summer Before" takes place during the summer before the girls enter the seventh grade--where suddenly there's a ton of pressure to fit in. The months leading up to it can be filled with anxiety, excitement, and anticipation. Do you remember how you spent the summer before seventh grade?

Martin: I was nervous that summer because in the fall I would be going to ! a new school â€" the junior high (this was in the time before ! middle s chools). Even the words "junior high" seemed terribly grown-up. My friends and I would be attending school with eighth-graders, who were one step away from high school. I spent that summer reading, going to the community pool, taking a family trip to Cape May, New Jersey, doing some baby-sitting, and also recovering from surgery. But the knowledge that I would soon be in junior high school colored every day and every activity and did lend the summer an air of both anxiety and anticipation.

Q: Despite the fun the girls have together in "The Summer Before," they're all dealing with pretty tough problemsâ€"moving away, an absentee father, a first crush. How did you choose the issues you wanted to focus on?

Martin:  One of my favorite things about writing a series was that the characters themselves generated plot ideas for later books. One of the themes that developed as the series progressed was that of Kristy's relatio! nship with her father. It was an idea I enjoyed exploring, and when I had the opportunity to write the prequel I realized that this summer would be a charged time for Kristy, and that I could introduce the issues she had with her father here; then they could unfold in the later books. The same applied to Stacey. Her reasons for moving to Stoneybrook had been revealed in later books, but I realized that during this particular summer the reader could actually watch the events take place. The other issues â€" a first crush, wanting more independence yet still feeling like a kid--are themes that I felt would resonate with most "tween" readers.

Q:
Even though the books have been out of print for ten years there are still some very devoted fans. Surely you must have received a ton of letters about the series over the years. Are there any that stick out in your mind?

Martin: The most memorable are stories of girls who have ! written to me and told me that I’ve made an impact on their ! lives, t hat The Baby-sitters Club books have turned them into readers. Some have also said that the BSC books made them aspire to become writers. I’ve also heard from a lot of the original fans who grew up to become teachers, librarians, editors, journalists, entrepreneurs, etc. To know that this series inspired a generation of readers and writers is very humbling.

Q: There’s been a lot of speculation in the blogosphere about where Claudia, Kristy, Mary Ann, and Stacey would be now, in 2010, had they grown up. Do you have any thoughts on what path each would have taken?

Martin:  I understand the fascination of the older BSC fans who would like to know what happened with the characters when they got older. It’s thrilling to realize that after all these years the fans remain passionate about the books and the characters in The Baby-sitters Club. I can see Kristy running a business--I can also see her being in politics. ! I think Mary Anne became a teacher. I imagine Stacey went into fashion--not as a designer, but maybe on the business side. And Claudia became an artist. I think fans can fill in for the rest of the characters!



TCM Greatest Classic Films Collection: Murder Mysteries (The Maltese Falcon / The Big Sleep / Dial M for Murder / The Postman Always Rings Twice 1946)

  • THE MALTESE FALCON Some high-living lowlifes want to get their sweaty hands on a bejeweled falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why and who ll take the fall for his pertner s murder. Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr. co-star in a crackling masterwork directed and written for the screen by John Huston.THE BIG SLEEP (1946) L.A. private eye Phi
First, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording! devices and on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam ! Chomsky, and Hollywood types, like J.J. Abrams, who created Lost, and Quentin Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyFirst, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording devices and ! on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam Chomsky, and ! Hollywood types, like J.J. Abrams, who created Lost, an! d Quenti n Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyOscar nominated, boundary pushing director Morgan Spurlock's POM Wonderful Presents: The Greatest Movie Ever Sold that looks with humorous insight into the world of product placement and marketing. Providing the soundtrack to this insightful and humorous documentary are a wide array of artist, including two originals tracks recorded specifically for the soundtrack, a spoken word piece from director Morgan Spurlock and a track entitled "The Greatest Song I Ever Heard" by the band OK Go, who isn't shy about their associations ! with brands and product placement.THE MALTESE FALCON Some high-living lowlifes want to get their sweaty hands on a bejeweled falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why â€" and who’ll take the fall for his pertner’s murder. Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr. co-star in a crackling masterwork directed and written for the screen by John Huston. THE BIG SLEEP (1946) L.A. private eye Philip Marlowe (Humphrey Bogart) takes on a blackmail case…and wears out his gumshoes trailing murderers, nightclub rogues, the spoiled rich and more. Lauren Bacall joins Bogart under Howard Hawks’ brisk and atmospheric direction of an ace adaptation of Raymond Chandler’s novel. DIAL M FOR MURDER Alfred Hitchcock’s screen version of Frederick Knott’s stage hit casts Grace Kelly, Ray Milland and Robert Cummings as points of a romantic triangle. She loves Cummings; her husband Milland plots her murder. But when he dials a Mayfai! r exchange to set the plot in motion, his right number gets th! e wrong answer! THE POSTMAN ALWAYS RINGS TWICE (1946) Based on the novel by James M. Cain (Double Indemnity, Mildred Pierce), this quintessential film noir stars John Garfield and Lana Turner as illicit lovers who botch a first attempt to bump off her husband, pull it off and betray each other at trial. Amorous attractions never proved so fatal as in this steamy, stormy classic.

Hope Floats

  • Widescreen
  • Dolby Digital
Birdee Pruitt (Bullock) has a life most people would envy. But when her cheating husband reveals infidelity to her on a national TV talk show, her perfect life comes crashing down. Devastated, Birdee and her young daughter head home to the small town she left behind. As mother and daughter struggle to adjust to their new lives, Birdee slowly gains the strength to open her heart and find hope again.Cute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading back to her small hometown in Texas, she seeks refuge with her eccentric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, b! een carrying a torch for her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to say about finding your true identity, but does so with all the sentimentality and depth of a Hallmark card. --Rochelle O'GormanBirdee Pruitt (Sandra Bullock) has a life most people would envy. But when her cheating husband reveals infidelity to her on a national TV talk show, her perfect life comes crashing down. Devastated, Birdee and her young daughter head home to the small town she left behind. As mother and daughter struggle to adjust to their new lives, Birdee slowly gains the strength to open her heart and find hope again. Cute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Headi! ng back to her small hometown in Texas, she seeks refuge with ! her ecce ntric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been carrying a torch for her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to say about finding your true identity, but does so with all the sentimentality and depth of a Hallmark card. --Rochelle O'GormanCute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading back to her small hometown in Texas, she seeks refuge with her eccentric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been carrying a torch for! her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much to say about finding your true identity, but does so with all the sentimentality and depth of a Hallmark card. --Rochelle O'GormanCute-as-a-button Sandra Bullock is a homemaker who learns that her husband and best friend are having an affair. The so-called best friend reveals this information on a national chat show, leaving Bullock devastated and disgraced. Heading back to her small hometown in Texas, she seeks refuge with her eccentric mother. Laconic Harry Connick Jr., a former high-school classmate, attempts to bring Bullock out of her depression and win her heart. He has, you see, been carrying a torch for her since they were kids.

You will not need a crystal ball to see where this is going. It works as a middling romance, but is an annoying waste of potential. The script has much! to say about finding your true identity, but does so with all! the sen timentality and depth of a Hallmark card. --Rochelle O'GormanThree dramas on 3 DVD in one set.No Description Available.
Genre: Soundtracks & Scores
Media Format: Compact Disk
Rating:
Release Date: 24-APR-2007

Black Cat , White Cat [Import ,All Regions, English Subtitles]

The Great Debaters

  • Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr
JAMAL WALLAS IS A 16-YEAR-OLD BASKETBALL STAR WITH A SECRET PASSION FOR WRITING. WILLIAM FORRESTER IS A FAMOUS, RECLUSIVE NOVELIST WHO IS ANGRY AT THE WORLD. AFTER AN UNEXPECTED MEETING, FORRESTER BECOMES JAMAL'S UNLIKELY MENTOR AND BOTH MEN LEARN LESSONS FROM EACH OTHER ABOUT THE IMPORTANCE OF FRIENDSHIPFinding Forrester could have been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instea! d, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappeared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are inevitable, but Finding Forrester is more honest and less prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutua! l attraction that remains almost entirely unspoken. The film t! akes a c onventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of many fine moments for Connery and Brown (a screen natural), in a memorable film that transcends issues of race to embrace the joy of learning. --Jeff Shannondvd Widescreen EditionFinding Forrester could have been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instead, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappe! ared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are inevitable, but Finding Forrester is more honest and less prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutual attraction that remains almost entirely unspoken. The film takes a conventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of! many fine moments for Connery and Brown (a screen natural), i! n a memo rable film that transcends issues of race to embrace the joy of learning. --Jeff ShannonDirector Gus Van Sant brings to the screen this moving story of a grizzled recluse and an inner-city teenager brought together by their shared passion for writing. Like Van Sant's Oscar-nominated GOOD WILL HUNTING, FINDING FORRESTER earnestly explores the struggles of a youthful genius whose position in society (underprivileged kid from the wrong side of the tracks) makes him seem destined for failure until he forms a relationship with a gifted but introverted mentor who helps him see the light.The youthful genius is a talented urban basketball player named Jamal Wallace (Rob Brown), who in his spare time reads everything he can get his hands on, secretly scribbling prose and poetry into a composition pad. The introverted mentor is William Forrester (Sean Connery), who took the literary world by storm with his debut novel, AVALON RISING, 50 years earlier but now spends whole days s! hut inside his Bronx apartment looking out the window onto a basketball court where Jamal hangs out. Buoyed by excellent performances from Connery and newcomer Brown, FINDING FORRESTER paints a compelling, alluring portrait of friendship while offering intriguing insights into the heart and soul of the dedicated writer.In this emotionally uplifting drama a dedicated teacher gives his students the gift of inspiration. Studio: Buena Vista Home Video Release Date: 05/11/2007 Starring: Robin Williams Run time: 128 minutes Rating: PgRobin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches, but whose charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible press! ure on his son--played by Robert Sean Leonard--to drop his int! erest in theater reaches heartbreaking proportions.) Williams is given plenty of latitude to work in his brand of improvisational humor, though it is all well-woven into his character's style of instruction. --Tom Keogh Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches, but whose charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible pressure on his son--played by Robert Sean Leonard--to drop his interest in theater reaches heartbreaking proportions.) Williams is given plenty of latitude to work in his brand of improvisational humor, though it is all well-woven into his character's style of instruction. --Tom KeoghFinding Forrester could ha! ve been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instead, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappeared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are ine! vitable, but Finding Forrester is more honest and less ! prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutual attraction that remains almost entirely unspoken. The film takes a conventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of many fine moments for Connery and Brown (a screen natural), in a memorable film that transcends issues of race to embrace the joy of learning. --Jeff ShannonTwo-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach wh! o uses the power of words to transform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting PartyInspired by real events, the fascinating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor organizer, modernist poet, and much else, runs a rigorous debate program at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker! ). Washington, who directed The Great Debaters from a s! cript by Robert Eisele (The Dale Earnhardt Story), anchors the story with the team’s measurable progress, but the film is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learning to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movie, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about unionizing together. Forest Whitaker is out! standing as Farmer’s emotionally-reserved father, also a Wiley professor. This is the kind of film where one hopes two great actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh

Love and Basketball (New Line Platinum Series)

  • From the playground to the pro leagues, Monica and Quincy taught each other how to play the game. Now, their commitment to the sport will force them to make a choice between each other and the game.between family and team.between Love and BasketballRunning Time: 127 min. System Requirements: Starring: Omar Epps, Debbi Morgan, Sanaa Lathan, Harry J. Lennix, and Alfre Woodard. Directed by Gi
Her sisters think she's a gift from heaven. Their husbands call her the sister-in-law from hell. But Eva (Gabrielle Union) is too busy being a smart, sassy, overprotective overachiever to really care what anyone thinks. That is until the guys decide the only way they will ever score any quality time with their women is to find single Eva a man. Pronto.

Enter Ray (LL Cool J) an ultra-suave player's player, who is hired to make Eva fall madly in love with him. All goes according to plan until this ! ladies' man finds himself unexpectedly falling for this beautiful lady in this hip, fresh and funny comic romp.At a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,000 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more mature than most comedies would bother to allow. By giving its characters an opportunity to sh! ow their truly attractive colors, Eva is delivered to ! us, claw s retracted, and ready for love. --Jeff ShannonHer sisters think she's a gift from heaven. Their husbands call her the sister-in-law from hell. But Eva (Gabrielle Union) is too busy being a smart, sassy, overprotective overachiever to really care what anyone thinks. That is until the guys decide the only way they will ever score any quality time with their women is to find single Eva a man. Pronto.

Enter Ray (LL Cool J) an ultra-suave player's player, who is hired to make Eva fall madly in love with him. All goes according to plan until this ladies' man finds himself unexpectedly falling for this beautiful lady in this hip, fresh and funny comic romp.At a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,0! 00 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more mature than most comedies would bother to allow. By giving its characters an opportunity to show their truly attractive colors, Eva is delivered to us, claws retracted, and ready for love. --Jeff ShannonDeliver Us From Eva Her sisters think she’s a gift from heaven. Their husbands call her the sister-in-law from hell. But Eva (Gabrielle Union) is too busy being a smart, sassy, overprotective overachiever to really care what anyone thinks. That is, until the guys decide the only way they will eve! r score quality time with their women is to hire ultra-suave R! ay (LL C ool J) to make Eva fall madly in love with him. All goes according to plan until this ladies’ man finds himself unexpectedly falling for this beautiful lady in this hip, fresh and funny comic romp.

Something New Kenya McQueen (Sanaa Lathan) thought she had it all: a successful career, good friends and family. There was just one thing she didn’t have under control: her love life. All that changes when she meets sexy, free-spirited Brian Kelly (Simon Baker). But when her ideal man (Blair Underwood) arrives on the scene, Kenya must decide between the relationship everyone expects and the romance no one expected.

The Best Man Harper Steward (Taye Diggs) is a commitment-shy writer and the best man at the wedding of Lance (Morris Chestnut) and Mia (Monica Calhoun). Unfortunately for Harper, the timing couldn’t be worse. His new book is coming out, and it chronicles his college life with his friends in a less than perfect light. The wedding party reunites college bu! ddies Quentin (Terrence Howard), Mirch (Harold Perrineau) and love interest Jordan (Nia Long). As the celebration weekend nears, scandalous secrets begin to reveal themselves…for better or for worse.At a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,000 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more matur! e than most comedies would bother to allow. By giving its char! acters an opportunity to show their truly attractive colors, Eva is delivered to us, claws retracted, and ready for love. --Jeff Shannon The game is on and the rules are out as Jamie Foxx, Morris Chestnut, Jennifer Esposito and Gabrielle Union star in this outrageous comedy that rewrites the book of loveJamie Foxx proves a winning romantic lead in the surprisingly subtle Breakin' All the Rules. When Quincy (Foxx, Ali, Collateral) gets brutally dumped by his fiancee, he researches the psychology of firing employees to create a break-up guide--a guide to a kinder, gentler break-up. His cousin Evan (Morris Chestnut, The Brothers) is afraid that his girlfriend is going to dump him, so he asks for Quincy's help, setting in motion a web of mistaken identities that snares Evan's girlfriend Nicky (Gabrielle Union, Bring It On), Quincy's boss Philip (a wonderfully squirmy Peter MacNicol), and a blithe gold digger named Rita (Jennifer Esposit! o, Dracula 2000). Writer/director Daniel Taplitz gives his characters, if not three dimensions, then two and a half--comedy comes out of their personalities instead of lame gags. Add in some unpredictable plot twists, genuine chemistry between Foxx and Union, and the result is genuinely fun. --Bret FetzerKenya McQueen (Sanaa Lathan) thought she had it all: a successful career, good friends and family. There was just one thing she didn't have under control: her love life. All that changes when she meets sexy, free-spirited Brian Kelly (Simon Baker). But when her ideal man (Blair Underwood) arrives on the scene, Kenya must decide between the relationship everyone expects and the romance no one expected.The tricky topic of interracial romance gets a sexy, charming, and unexpectedly realistic treatment in Something New. Kenya (Sanaa Lathan, Out of Time, Alien Vs. Predator), a successful accountant, gets set up on a blind date with Brian (Si! mon Baker, The Ring Two)--only to discover that he's wh! ite, lea ding her to cut the date short. At a party, Kenya admires the garden and gets introduced to the landscape architect: Brian. Thus begins a bumpy but increasingly sparky relationship, despite opposition from Kenya's friends and family, as well as Kenya and Brian's own internal resistance. Make no mistake, Something New is a mainstream romantic comedy, with ridiculously attractive people grappling with problems that get solved with just a little too much ease--but along the way, Kriss Turner's script, Sanaa Hamri's direction, and Baker's and especially Lathan's performances ground the movie in something resembling the real world. Kenya's and Brian's emotional terrain has a genuine texture to it; the rhythm of the dialogue and the visual pacing allows their characters to breathe and become more genuine and vivid than your standard rom-com lovers. The strong supporting cast--including Alfre Woodard (Crooklyn), Donald Faison (Scrubs), Mike Epps (Next Friday! ), and Blair Underwood (Full Frontal)--doesn't hurt. But Lathan owns the movie; this actress deserves true stardom. --Bret FetzerAt a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,000 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more mature than most comedies would bother to allow. By giving ! its characters an opportunity to show their truly attractive ! colors, Eva is delivered to us, claws retracted, and ready for love. --Jeff ShannonFrom the playground to the pro leagues, Monica and Quincy taught each other how to play the game. Now, their commitment to the sport will force them to make a choice between each other and the game...between family and team...between Love and Basketball.Gina Prince-Bythewood, a former college athlete, puts a spin on this one-on-one tale of Love and Basketball. Sanaa Lathan (The Best Man) is the fiercely driven, hot-tempered Monica, a tomboy who gives her all for basketball. Omar Epps (The Mod Squad) is Quincy, an NBA player's son who has pro dreams of his own. Next-door neighbors since first grade, they start as rivals (she flabbergasts the boy by outplaying him in a game of driveway pickup) and age into best friends and lovers. The romantic complications follow a familiar game plan, but the film throws a fascinating spotlight onto the contrast between men's and ! women's basketball. While Quincy plays college ball on huge courts to cheering, sold-out crowds, we see Monica's sweat, tears, and sheer physical dedication in front of tiny audiences in small gyms and second-rate auditoriums.

The story is pointedly set in the late 1980s, years before the establishment of the WNBA, so Monica's prospects for pro ball lie exclusively in Europe, while Quincy steps into the pros at home. It's a pleasure to see a character as passionate and fully developed as Monica, and Lathan gives a fiery portrayal (she had never played ball before the film, but you'd never tell from her performance). Prince-Bythewood favors her struggle over Quincy's and opens our eyes to her unique challenges with a sharp, savvy contrast. Alfre Woodard costars as Monica's harping mom (always trying to get her to be more ladylike) and Dennis Haysbert is Quincy's philandering father. Hoops fan Spike Lee produced. --Sean Axmaker

Hotel for Dogs (Widescreen Edition)

  • Hotel For Dogs is a funny, heartwarming and inspiring animal adventure that shows how far love and
  • When 16-year old, Andi (Roberts), and her younger brother Bruce (Austin) find themselves in a
  • When they stumble into an abandoned hotel, they realize they can transform it into the perfect
  • What began as a crusade to save one dog becomes a high stakes adventure as everyone around them
Hotel For Dogs is a funny, heartwarming and inspiring animal adventure that shows how far love and imagination can take you. When 16-year old, Andi (Roberts), and her younger brother Bruce (Austin) find themselves in a foster home with a strict “no pets” policy, they must use their quick wit to find a new home for their dog, Friday. When they stumble into an abandoned hotel, they realize they can transform it into the perfect place for Friday- as well as all the strays in the city. What b! egan as a crusade to save one dog becomes a high stakes adventure as everyone around them starts to wonder- who let the dogs in?Everyone deserves a loving family, but foster kids Andi (Emma Roberts) and Bruce (Jake T. Austin) have been placed with a flaky couple who care more for their aspiring rock careers than their foster children. Even though Andi and Bruce's mischievous tendencies repeatedly get them into trouble, the siblings are essentially good kids who care deeply for one another and their secretly adopted dog Friday. After a close call with the local pound, the kids end up searching for Friday in an abandoned old hotel where they find several stray dogs seeking shelter. The kids' compassion for the homeless dogs compels them to begin caring for the strays and they soon join forces with three other local kids to take in strays from across the city. Bruce is a clever inventor whose innovative gadgets ensure top-notch care and constant entertainment for all the dogs ! (as well as a multitude of laughs from the audience). Unfortun! ately, B ruce's and Andi's devotion to the dogs eventually causes them to pass up what may be their last chance for a better foster home. When the police storm the hotel and take all the dogs to the pound, the kids make a daring attempt to rescue the dogs that will likely land them in separate group homes. Can social worker Bernie (Don Cheadle) somehow convince the authorities, and perhaps a loving family, that the children were just doing what was right? Hotel for Dogs is a funny family film based on Lois Duncan's book of the same name and is appropriate for most ages 5 and older in spite of its PG rating for mild thematic elements, language, and some crude humor. --Tami Horiuchi




Stills from Hotel For Dogs (Click for larger image)












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