Monday, November 7, 2011

Head Bangers: An APF Sexcapade (Strebor Quickiez)

  • ISBN13: 9781593092399
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
WARNING â€" This books contains one ménage scene with m/f/m, BDSM
Holly and Kim Banger are sisters who have taken different paths in life. Holly is a single accountant with an enviable, but stressful career in Chicago, Illinois. Kim is a mother and medical assistant who lives in St. Louis, Missouri, and has recently gone through a divorce. The sisters are close, but don't get to see each other very often. When it's time to celebrate Kim turning forty, the women decide on an adventure to London.
But they only have three days.
While romping with rock stars, royalty and younger men, the women are amazed to find each man to be a hero in his own right. During their three whirlwind days and n! ights of pleasure, they also discover that changes are desperately needed in their lives.WARNING â€" This books contains one ménage scene with m/f/m, BDSM
Holly and Kim Banger are sisters who have taken different paths in life. Holly is a single accountant with an enviable, but stressful career in Chicago, Illinois. Kim is a mother and medical assistant who lives in St. Louis, Missouri, and has recently gone through a divorce. The sisters are close, but don't get to see each other very often. When it's time to celebrate Kim turning forty, the women decide on an adventure to London.
But they only have three days.
While romping with rock stars, royalty and younger men, the women are amazed to find each man to be a hero in his own right. During their three whirlwind days and nights of pleasure, they also discover that changes are desperately needed in their lives.For a movie focused on the lives of two adult women who were groupies during the golden age of classic ro! ck, it's the modern artists on the Banger Sisters sound! track th at steal the show. Buckcherry snarl and spit their way through spirited punk romp "Crushed"; Black Crowes vocalist Chris Robinson pours his heart out on a soulful piano-brushed 1970s rock emulation; and Ben Folds's Jackson Browne cover bounces with warm pop nimbleness. Vintage rockers fare rather well, too, especially ex-Yes guitarist Trevor Rabin's prog rock-meets-ethereal world music Animals cover, Peter Frampton's guitar acrobatics, and Steppenwolf's gritty hip-shaking. The only real eyesore here is Tommy Lee's abysmal take on David Bowie's "Fame," a stuttering rap-aggro-electro amalgamation that sounds like a robot falling apart at the seams. Otherwise, for fans of classic rock--or modern spins on the originals--the Banger Sisters soundtrack won't disappoint. --Annie Zaleski Hope and Faith: two things that everyone needs to survive. But the words take on a different meaning in the form of a set of twins who attend Crockett University in Washington, D.C. As ! seniors, they are looking forward to a bright future in corporate America. Meanwhile, they have decided to relieve some of the stress involved in getting a higher education by being members of APF.

Soror Ride 'em High and Soror Lick 'em Low, originally hail from Atlanta and, like most twins, they share a connection. In fact, their physical bond is so strong, that one can often feel a pounding in her vagina while the other is engaged in sexual activity. But everything is not perfect when it comes to being a twin. Sometimes animosity and jealousy can creep in; especially when Hope and Faith find themselves both attracted to the same man on campus. Is blood really thicker than water? Or, in this case, thicker than basic carnal desires?

In this long-anticipated second volume in the APF series, a follow-up to The Sisters of APF: The Indoctrination of Soror Ride Dick, New York Times Bestselling Author Zane, once again proves why she is "The Queen of Erotic! Fiction." Over the years many have tried to emulate her but Z! ane's im agination is not to be replicated any time in the near future. The freak nights of APF are some of the most artistic, exhilarating, erotic experiences that have ever graced the pages of a book; evidenced by the thousands of emails Zane has received over the years from women yearning to join the sorority.

The sexual revolution continues...within the pages of Head Bangers: An APF Sexcapade.

DYSFUNKTIONAL FAMILY ORIGINAL MOVIE POSTER

Baby Essentials Socks, Boys, 4 Pack,0-6 months

Adam Sandler's Eight Crazy Nights

  • Actors: Jamie Alcroft, Blake Clark, Norm Crosby, Ellen Albertini Dow, Carmen Filpi
  • Format: AC-3, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, Widescreen, NTSC
  • Language: English. Subtitles: English, French.
  • Region: Region 1 encoding (US and Canada only)
  • Rated PG-13
Once a happy boy, but now the town delinquent, Davey (voiced by Sandler) is given one last chance to redeem himself with his community and discover the true meaning of the holiday season. Voices of Adam Sandler along with Kevin Nealon, Rob Schneider and Jon Lovitz. VHS and DVD features the short film with Adam Sandler’s Dog "A Day with Meatball" and many Adam Sandler songs!Adam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Crazy Nights,! because Sandler does the voices for three different characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerADAM SANDLER'S EIGHT CRAZY NIGHTS - DVD MovieAdam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by ! 8 Crazy Nights, because Sandler does the voices for three! differe nt characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerStudio: Sony Pictures Home Ent Release Date: 05/20/2008 Run time: 76 minutes Rating: Pg13Adam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Cra! zy Nights, because Sandler does the voices for three different characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret Fetzer

Vixen (The Flappers)

  • ISBN13: 9780385740340
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star. . . .

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"! and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is ­Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the ­illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but s! he quickly discovers Manhattan is filled with pretty girls who! will do anything to be a star…

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.



Anna Godberson’s Playl! ist
Anna Godberson
Bright Young Things
may take place during the Jazz Age, but author Anna Godberson shows us that the tunes she prefers range from Cat Power to Prince. Check out what she loves and why. (Click on the song name to listen to a sample)




"River Deep â€" Mountain High" by Ike & Tina Turner

I spend a lot of time in a chair in front of my computer obsessively reworking sentences. This song is ecstatic and full of life and whenever I hear it I want to get up and move.

"Lived in Bars" by Cat Power
This song sounds to me like the wise, sad, tired, wired, voice of exper! ience, the kind of beauty that you can only see after you’ve! been wo rn down. That’s what Bright Young Things is all about.

"You Said Something" by PJ Harvey
This one is like an exquisite New Yorker story, perfect in its simplicity and specificity but universal in what it expresses.

"California" by Joni Mitchell
That’s where I’m from, and this is the soundtrack of my homesickness. Plus, the lyrics are literary and whip-smart and impossible for a California girl to forget.

"Go West" by Liz Phair
People like to make fun of Liz Phair these days, but her voice was the voice of my young womanhood, and “Go West” was the anthem of all to-hell-with-men, bridge-burning episodes.

"Love Me Like A Man" by Bonnie Raitt
The title says it all, and! it just gets better from there.

"Tell It Like It Is" by Etta James
Awesome plea for romantic decency, but in that raw, lusty, commanding voice. After at least four thousand listens, I still nod along like the first time.

"You Only Live Once" by The Strokes
Not to date myself, but around the time I graduated from college, this was the coolest band to mock. Who cares? In my opinion, this is the ultimate jogging song.

"I Could Never Take the Place of Your Man" by Prince
This is also an instant dance party number for meâ€"is anyone as weird and cool as Prince?

"God" by John Lennon
To me, this is the ultimate expression of an artist’s belief in self. There is something bleak, but also really cle! ar-eyed and uplifting about. Plus, it’s gorgeous.

"Bring It On Home to Me" by Sam Cooke
If I could curl up in Sam Cooke’s voice and sleep forever, I’d do it. This one is just so desperate and romantic and it sounds just like what it means.

"Like A Rolling Stone" by Bob Dylan
My parents were hippies, and I grew up in the Church Of Dylan. For a guaranteed good time, get on the freeway, roll the window down, step on the gas, and turn the volume up on this number. Please be prepared to sing along.



For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhat! tan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

Who set's today's new trends? At the beginning of a new millennium, who is it that defines what is fashionable, who has the true will to create, who knows how to make glamour a lifestyle? Bright You! ng Things introduces us to some of the most prominent members ! of Ameri ca's younger generation, the high-flyers who set the style, pace and attitudes of their time such as Alexandra and Alexandre von Furstenberg, Aerin Lauder and Eric Zinterhofer, Damian Loeb, Moby, Marina Rust, Andrew Lauren, Serena Altschul, to name a few. And what makes this young, dynamic, styleish group quite interesting, visible and somewhat powerful, is that they are all extremely accomplished individuals in their personal lives, as well as being very accomplished leaders in their relative fields - business, arts, literature, music, movie production, fashion designing, etc. We discover their house, interior and the lives they lead. With contributions by Bill Blass, Brooke Astor, Oscar de la Renta, Diane von Furstenberg, Anh Duong, Carolina Herrera, among others.

For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and! Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

For the bright young things of 1929, the beauti! ful days seem endless, filled with romance and heartbreak, adv! enture a nd intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizz! ying last summer of the Jazz Age.

Jazz . . . Booze . . . Boys . . . It’s a dangerous combination.
 
Every girl wants what she can’t have. Seventeen-year-old Gloria Carmody wants the flapper lifestyleâ€"and the bobbed hair, cigarettes, and music-filled nights that go with it. Now that she’s engaged to Sebastian Grey, scion of one of Chicago’s most powerful families, Gloria’s party days are over before they’ve even begun . . . or are they?
 
Clara Knowles, Gloria’s goody-two-shoes cousin, has arrived to make sure the high-society wedding comes off without a hitchâ€"but Clara isn’t as lily-white as she appears. Seems she has some dirty little secrets of her own that she’ll do anything to keep hidden. . . .
 
Lorraine Dyer, Gloria’s social-climbing best friend, is tired of living in Gloria’s shadow. When Lorraine’s envy spills over into desperate spite, no one is safe. And someone’s going to be very sorry. . . .
 
From ! debut author Jillian Larkin, VIXEN is the first novel in the s! exy, dan gerous, and ridiculously romantic new series set in the Roaring Twenties . . . when anything goes.

Halloween (Two-Disc Unrated Collector's Edition) [Blu-ray]

  • Rob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasheric, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story that unfolds at a breakneck pace, as well as a chilling new introduction that finally reveal
Rob Zombie's H2 (Halloween) picks up at the exact moment that 2007's box-office smash, Halloween stopped and follows the aftermath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton). Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of ! Halloween. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous! encounter with brother Michael Myers (Tyler Mane) by bonding ! with She riff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2: High Voltage), which underscores the doom-laded spiral track each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambition! s don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will find these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is filled with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hess! eman and “Weird Al” Yankovic. --Paul Gaita

Rob Zombie's H2 (Halloween) picks up at the exact moment that 2007's box-office smash, Halloween stopped and follows the aftermath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton).

Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween which grossed almost $80 million worldwide. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.Rocker turned writer-direct! or Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of H! addonfield, driven by visions of his mother (Sheri Moon Zombie! ) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2: High Voltage), which underscores the doom-laded spiral track each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will find these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ug! ly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is filled with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul GaitaRob Zombie's H2 (Halloween) picks up at the exact moment that 2007's box-office smash, Halloween stopped and follows the aftermath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton).

Evi! l has a new destiny. Michael Myers is back in this terrifying ! sequel t o Rob Zombie’s visionary re-imagining of Halloween which grossed almost $80 million worldwide. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.
Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode ! (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2: High Voltage), which underscores the doom-laded spiral track each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, p! op-culture ironic, white trash environment his characters freq! uently i nhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will find these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is filled with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior! , and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul GaitaThe original slasher film about Michael Myers, the psychotic killer who dons a mask and terrorizes his hometown, is re-imagined by edgy director Rob Zombie.More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) whose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pl! easance character) does little to impede his development into ! a mute, unstoppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared to the lean efficiency of the Carpenter original). Zombie's Halloween isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Si! d Haig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) adds a touch of late-night monster movie charm. However, the film's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version. A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage fro! m the casting sessions. A blooper reel, which is highlighted b! y unchec ked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul GaitaHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Films directed by Rob Zombie.Rob Zombie (The Devil's Rejects), "modern American horror's most eccentric and surprising filmmaker," (Matt Zoller Seitz, New York Times) reinvents the ultimate slasher classic, unleashing Michael Myers for a bloody rollercoaster of a rampage like fans have never seen. Including a retelling of the original story tha! t unfolds at a breakneck pace, as well as a chilling new introduction that finally reveals the secrets behind Myers' disturbing childhood, Halloween breathes new life into one of film history's most terrifying tales. "It will leave you speechless" (Spooky Dan, Bloody-Disgusting).More of a supercharged revamp than a remake, Rob Zombie's take on John Carpenter's Halloween expands the back story of masked killer Michael Myers in an attempt to examine the motivation for his first deadly attack, as well as some reasons for his longevity as a horror icon. Zombie's Myers is a blank-eyed teen (played by Daeg Faerch) whose burgeoning mental problems are left unchecked in a horrific home environment; harassed by schoolmates, a randy sister, and his mother's deadbeat boyfriend (William Forsythe, terrific as usual), Myers' homicidal explosion seems inevitable, and intervention by Dr. Sam Loomis (Malcolm McDowell, who offers a fast-talking, hippiefied version of the Donald Pleasa! nce character) does little to impede his development into a mu! te, unst oppable killing machine (Tyler Mane) bent on finishing off the only survivor of his family's massacre--his sister, now grown into teenaged Laurie Strode (Scout Taylor-Compton). Opening up the psychological motivation of a cipher like Michael Myers is an interesting approach, but Zombie's script possesses neither a depth of character nor dialogue to offer more than a clichéd thumbnail character sketch, and devoting over a hour of the unrated cut's 120-minute-plus running time to this history feels bloated and self-indulgent (especially when compared to the lean efficiency of the Carpenter original). Zombie's Halloween isn't terribly suspenseful, either; he has a keen eye for visuals and the details of chaotic environments, but his scares are nothing more than brutal showcases for his special effects team. The end result barely surpasses the original film's numerous sequels, though the Who's Who of cult and character actors in the cast (including Zombie regulars Sid Ha! ig, Bill Moseley and Ken Foree, as well as Brad Dourif, Udo Kier, Clint Howard, Richard Lynch, Danny Trejo, Dee Wallace, and Danielle Harris) adds a touch of late-night monster movie charm. However, the film's best performance belongs to the director's spouse, Sheri Moon Zombie, who brings unexpected pathos to the role of Myers' downtrodden mother.

The two-disc Unrated Director's Cut offers a full disc's worth of extras that should please Zombie fans; chief among the supplemental features is his commentary, which details the film's shooting history and the numerous edits required to deliver the theatrical version. A making-of featurette offers further details of Zombie's vision for the film, and there are featurettes on his cast choices and the many masks that Myers makes while incarcerated. Seventeen deleted scenes (two of which feature Adrienne Barbeau and Tom Towles) and an alternate ending (all with Zombie's commentary) are also provided, as well as footage from th! e casting sessions. A blooper reel, which is highlighted by un! checked mischief by McDowell and Dourif, offers the set's sole moment of levity. -- Paul Gaita

Blade Trinity (Unrated Version)

  • The final battle begins and the trinity comes to an end! Blade is back and his enemies have grown in number since they resurrected their king, Dracula. Together with a new group of vampire hunters, called the Nightstalkers, led by Whistler's strong but beautiful daughter Abigail and the wise-cracking Hannibal, they must finally defeat the vampires or face inevitable extinction.Running Time: 123 mi
Get set for more action, more vampires and more Wesley Snipes in this second monster-hit installment in the Blade franchise. Aptly described by critic Roger Ebert as "a vomitorium of viscera," Blade II takes the express route to sequel success. So if you enjoyed Blade, you'll probably drool over this monster mash, which is anything but boring. Set (and filmed) in Prague, the plot finds a new crop of "Reaper" vampires threatening to implement a viral breeding program, and they're nearly! impervious to attacks by Blade (Wesley Snipes), his now-revived mentor Whistler (Kris Kristofferson), and a small army of "normal" vampires who routinely combust in a constant conflagration of spectacular special effects. It's up to Blade to conquer the über-vamps, and both Snipes and director Guillermo del Toro (Mimic) serve up a nonstop smorgasbord of intensely choreographed action, creepy makeup, and graphic ultraviolence. It's sadistic, juvenile, numbing, and--for those who dig this kind of thing--undeniably impressive. With the ever-imposing Ron Perlman as a vampire villain. --Jeff Shannon Import Blu-Ray/Region A pressing. Get set for more action, more vampires and more Wesley Snipes in this second monster-hit installment in the Blade franchise. When the world is threatened by a new and deadlier breed of super vampires, the legendary Blade and his mentor, Whistler, must join forces with the Bloodpack, an elite team of vampire warriors.Aptly descr! ibed by critic Roger Ebert as "a vomitorium of viscera," Bl! ade II takes the express route to sequel success. So if you enjoyed Blade, you'll probably drool over this monster mash, which is anything but boring. Set (and filmed) in Prague, the plot finds a new crop of "Reaper" vampires threatening to implement a viral breeding program, and they're nearly impervious to attacks by Blade (Wesley Snipes), his now-revived mentor Whistler (Kris Kristofferson), and a small army of "normal" vampires who routinely combust in a constant conflagration of spectacular special effects. It's up to Blade to conquer the über-vamps, and both Snipes and director Guillermo del Toro (Mimic) serve up a nonstop smorgasbord of intensely choreographed action, creepy makeup, and graphic ultraviolence. It's sadistic, juvenile, numbing, and--for those who dig this kind of thing--undeniably impressive. With the ever-imposing Ron Perlman as a vampire villain. --Jeff Shannon Get set for more action, more vampires and more Wesley Snipes in t! his second monster-hit installment in the Blade franchise. When the world is threatened by a new and deadlier breed of super vampires, the legendary Blade and his mentor, Whistler, must join forces with the Bloodpack, an elite team of vampire warriors.

DVD Features:
DVD ROM Features
Other:Dobly Digital EX 5.1 Surround Sound; DTS ES Surround Sound; Stereo Surround Sound

Aptly described by critic Roger Ebert as "a vomitorium of viscera," Blade II takes the express route to sequel success. So if you enjoyed Blade, you'll probably drool over this monster mash, which is anything but boring. Set (and filmed) in Prague, the plot finds a new crop of "Reaper" vampires threatening to implement a viral breeding program, and they're nearly impervious to attacks by Blade (Wesley Snipes), his now-revived mentor Whistler (Kris Kristofferson), and a small army of "normal" vampires who routinely combust in a constant conflagration of spectac! ular special effects. It's up to Blade to conquer the über! -vam ps, and both Snipes and director Guillermo del Toro (Mimic) serve up a nonstop smorgasbord of intensely choreographed action, creepy makeup, and graphic ultraviolence. It's sadistic, juvenile, numbing, and--for those who dig this kind of thing--undeniably impressive. With the ever-imposing Ron Perlman as a vampire villain. --Jeff Shannon The final battle begins and the trinity comes to an end! Blade is back and his enemies have grown in number since they resurrected their king, Dracula. Together with a new group of vampire hunters, called the Nightstalkers, led by Whistler's strong but beautiful daughter Abigail and the wise-cracking Hannibal, they must finally defeat the vampires or face inevitable extinction.Even skeptical fans of the Blade franchise will enjoy sinking their teeth into Blade: Trinity. The law of diminishing returns is in full effect here, and the franchise is wearing out its welcome, but let's face it: any movie that features Je! ssica Biel as an ass-kicking vampire slayer and Parker Posey--yes, Parker Posey!--as a vamping vampire villainess can't be all bad, right? Those lovely ladies bring equal measures of relief and grief to Blade, the half-human, half-vampire once again played, with tongue more firmly in stone-cold cheek, by Wesley Snipes. With series writer David S. Goyer in the director's chair, the film is calculated for mainstream appeal, trading suspenseful horror for campy humor and choppy, nonsensical action. The franchise still offers some intriguing ideas, however, including Drake (Dominic Purcell), the original vampire, whose blood contains the secret that could destroy all blood-suckers in a plot that incorporates a sinister "blood farm" where humans are held--and drained--in suspended animation. And Biel's wise-cracking sidekick (Ryan Reynolds) in her cadre of "Nightstalkers" provides comic relief in a series that's grown increasingly dour. All of which makes Blade: Trinity a! love-it-or-hate-it sequel... supposedly the last in a trilogy! , but th e ending suggests otherwise. --Jeff Shannon

Bloodrayne (Unrated Director's Cut)

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